How to mix vocals ableton reddit. in Ableton, I create a send with a reverb on it.

How to mix vocals ableton reddit Phaser with very little mix percentage, ds, 2 echoboys (combination of 4 and 8 and adjust the mix of both) and combination of 2 different types of autotune and I mean with soprano + Alter Tenor. Optional: Use an Automatic Double Tracking (ADT) plugin. Mix it till it Then use amplitude tool to lower gain on just the offending sounds. Looking for ideas on the most efficient way! the point is, and this is the true thing: your singer needs to sound and deliver as close as what you want to have at the end. Wrong mic and The Voice is never captured correctly. It creates lots of additional harmonics and makes the sound richer. Reid Stefan Realest Puppet in the Game teaches his Ableton 1 But its difficult to get anthem level reverb on vocals or a synth without clapping out the mix. Also you can make doubletracks from one track by using delay (5-60 ms) with no feedback. Get your vocal take and copy a section of that noise to another track. I wanted to know if anyone knew of any vocal chain presets That way you're leveling the vocal out, but letting the consonants pop out. A great song recorded on a shitty mic and produced well will sound great. It’s a little daunting because I have like close to 50 tracks. . use your sends for the reverb and fx, after If you want to learn how to produce vocals and mix them into your songs, Splice has tons of great vocals and many of them are dry (unprocessed, no FX) which can be a good way to learn I've done this just a few times with mixed results. So i routed they'r vocals through liveprofessor and routed them back to separate channels on the board. Giving your vocals a “space” to live in will make them sound more natural and full. Find the vocal. I did it once in a mix I handled sometime before (really a learning experience since I am more a player/performer than a real "mixer/producer"), but the fun thing is I never told the guy singing that I was going to do that, we just I generally find it tricky to put just the right amount of reverb on vocals, but this feels substantially trickier with whispered vocals. The vocals doesn't trash the song, and the kids and parents are happy. If you have 2 channels, A and B, heavy on mids for example, you can make only mid-band of A as sidechain to compress only the mid-band of B (assuming you don't known when they might clash, otherwise you could just automate eq manually). These will just make the vocal sound better. " Use clip gain: ride the vocals, set the level of the vocal before any tuning or compression. I just don't know how to properly record vocals or mix them. if you want "out of pitch but with the correct attitude", you need that singer. Audio effect rack -> chain -> add 3 EQs -> bandpass the desired range on the middle one -> bandpass / highpass the other two EQs exactly where the middle one cuts and with the same slope -> add compressor to the middle EQ (that is bandpassing the desired range) -> use it with sidechain. Although, its high passed, how do the vocals come out so punchy (the cracks in his voice)? Similar to intro/outro. I’m wondering if there are any good tutorials or resources that teach you how to create a DJ mix with Ableton but without a mixer or controller. Better to make 6 or 8 layers. No. Have a look on youtube for a tutorial on sidechain compression. Sorry for the shit question. In Ableton it’s pretty simple. Cuz work with mix engineer is not about speed. Play with the mix ratio until you find the sweet spot for your song. In the new chain, insert Auto Filter, and set it to High Pass, and set it to (I guess) somewhere between 500 Hz and 4 kHz. My primary DAW is Studio One and I much prefer doing recording and mixing using it. There are many different ways to mix vocals, depending on the results you're after, the genre you're in, etc. Most just buy what seems to be popular or cheapest. unfortunately I am really dumb so I have not perfected it. For the center vocal, use a standard mono vocal. Fitting vocals in the mix at a professional level is done by using standard plugins to make space amongst all the multitracks so that everything has its own space. This may be a main vocal, may have the characteristics of stacks/BG vocals, or it may have the characteristics of adlibs! Bridges are essential moments in songs that have them, often calling for unique sonics in the vocal mix compared to the grounded foundation of the verse/hook/chorus vocal mix. I've been struggling with getting my vocals and mixes to sound professional and "radio ready. pads or other midrange elements) duck when the kick hits. Then I apply vocal rider from Waves to keep vocal levels even, then I use whatever anti-noise, deesser and sibilance vst I need, then I apply OTT from Ableton Multiband, another compressor, another EQ, after that stuff like autotune, distortion etc. Tune the lead vocal. Once this is completed you can then adjust the song to go faster or slower and the vocals change with it and won’t affect the pitch of the vocals For example the BPM of the original vocal is 135 but me track and remix is in 155. If you're still having troubles getting the vocals to sit in the mix -- after you bus your vocals and backing vocals together, then bus that into a new bus with your instrument bus. Well, when it comes to separating audio from a single file, I pretty much always use multiple different services/software that are designed to render stems, mainly because most of these kinds of services/software all use slightly different Don’t be afraid to deliberately sing your backing vocals with a tone that is different from your lead (ie, breathier, + or - an octave) When you’re stacking your vocals, tight timing and tonal compliments are everything (like, are they all doing slightly different vibrato that makes it sound pitchy when put together?). Those should help you get started for VO work, but you'll want to search youtube for beginner's tutorials on Ableton to learn how to use its various other features. Here is a little bit of the program from the Use 2 seperate de essers, and drive the background vocals de essing harder than the main vocal. I record drums, guitar, bass, vocals and use a little midi in there to spice things up. Take those two tracks and pan one left and the other right. either an effect or something like a boss-ve20 or other harmonizing pedals. Then duplicate that noise clip to be as long as your vocal take. Amazon has them for $30. Now we've determined that, here are 8 likely reasons your mix sounds muddy - and how to fix them: Place the EQ in the guitar track, and feed the vocals to it as a side chain. 6)Add A Vocal Doubler on a bus I really like Waves Vocal Doubler. They're good for live performances and practices and I use them for my home studio. Make sure that the "mix" on that delay is wet signal only. As with all mixing, most of the "right" decisions are up to personal preference and the context of the mix, but are there any Get app Get the Reddit app Log In Log in to Reddit. Concert hall is what I personally use. all if this works, but what doesn't work well, is making a rapper sound like opera, make Delay plugins usually have a wet/dry mix. They have a number of vocal mixing videos that go into a lot more The unoffocial subreddit of all things Ableton: Live, Push, Max, and Note. Mix in some distortion/overdrive at around the 5-10% level. r/audioengineering A chip A close button. Do you mix/master in another program? What's your workflow look like doing something like this? No single reddit comment or single piece of info is gonna take your music to “Spotify song” level. I’m about to do a mix down of my first track in ableton, and I’m just unsure. 409K subscribers in the ableton community. The way how everyone shows it is to just unwarp, warp and change the BPM on the vocal sample. Then change the polarity of the noise track. I know how to correctly warp the vocal by turning the warp mode off and on, and then entering in the original bpm, at least this is how I've always done it, but again the problem persists. Mix the instruments with out any deep pans and use stero imaging to spread the vocals all the way to the right and left. Otherwise, if you decide to alter your effects you’re btw the reason that phase inversion works is that when you play two tracks A and B at the same time the result (i. Then try and mix your vocals in such a way that when you switch back and forth between the reference and your mix, your vocals sound like they’re sitting in a similar way to the reference. ) Do a little compression on the that group -- all vocals + instruments. Configure the EQ to dip problematic frequencies based on the sidechain input. Any tips would be a big help I've done some research and I read that using the instrumental, then using the phase inversion should isolate the vocals of the song as the instrumental should cancel out the sounds of the original mix (other than the vocals). this one worked fairly well on the sibilant frequencies but left the vocal sounding less natural so I removed it. This is the most overlooked and most important aspect. Your vocal is on a module, where I assume you have EQ and compression. When you play back the vocal take, the noise will cancel each other out. Lower your expectations. Log In / Sign Up; How to record/mix vocals in Adobe Audition (100% stock effects) Locked post. This is since you are able to balance your mix between your vocals and beat and you can adjust specific areas of the song to fit your vocals as well. For metering overall levels I usually have youlean loudness meter on my master channel. But maybe you’re asking two questions: how to mix vocals, and how to perform/record vocals to sound professional. Get the vocals correct on top of new tempo. This could change your mix in minutes. Set your vocal chain up with parallel processing for your effects. Can’t quite get it to sound the way I’d like to. I was working on a mix for a live show. The vocal takes are really good, but just trying to figure out what I need to do to “widen” them and really make them soar and “pop”. When you have a good booth, it makes vocals extremely easy to mix. For some plugins all the way up is all the way down it's confusing. Ableton is quite modular, you can build a multiband compressor if you really want to. com/collections/vo Transient (noise, pops, mic plosives, vocal sibilance, attacks) Tonal (sustained notes, harmonics, tone, ambiance) Most of my artists are recording from home some with a great room and setup and others with a not so great acoustic treatment or on the road. And even when the best (and very expensive) mix engineer create technically fantastic mix, it can absolutely ruin (on your opinion) vibe, spirit and core idea of your song. Clip gain worked like a charm on the attack and sustain of the snare hits into his vocal mic. Compress at around 2:1 or 3:1 with a soft knee. Having everything separated into collapsible groups helps with space, and having dedicated routing channels makes it simpler to mix in stages: first mixing the group internally while the group is soloed, then any frequency issues between groups, then the general mix of the 4 routing channels together. If you have a beefy PC and a good extern Sound card, you can monitor the signal from your DAW with some light-lifting vocal chain. I come today with a question that's probably been asked to death (sorry), but I know everyone has their own process and workflow. You hear remixes every day all day with major tempo jumps or drops without artifacts. I use stutter edit in one of my dummy tracks, the rest are ableton effects. As far as delays, slap delays (80-140ms) are very common and useful on vocals. Blue Yeti USB an interface and mic for recording vocals into any DAW. If your in PT, you can set up elastic audio on every single vocal track. So, I usually don't have a problem with this, but the vocal I'm currently working with will be in time for certain parts and then go out of time. Before using ableton I would spend hours mixing in Cubase and protools, constantly tweaking the compressors wondering how I could get things bigger and clearer sounding, dealing with massive amounts of compression and drastic eq'ing which would sound good through some systems and shit through others, now instead of compressing drums to make them bigger I'm very subtle hi just wanna say that I have been searching for the same thing for a long time now. Rvox Compressor, Record in mono, dip instrumental by ~2. When it's spot on, you'll hear the distortion as just a slight overload of the vocals. A good trick is to add 2nd order saturation to the low end of the Mid signal, and 3rd order saturation to the top end in the sides. And see if that helps. Trackspacer is best used in the context of ducking a pad to vocals within a mix. Go back to the original bpm. Or there is one built into Logic, they call it the vocal transformer. Try rear bus compression. I low-cut vocals around 100hz, boost around 1K and in the mid and high range. Perhaps look up “how to mix vocals over a 2-track” on YouTube, The unofficial subreddit of all things Ableton: Live, Push, Max, and Note. How to achieve his whole vocal sound? (regards to all FX- eq, distortion, modulation, auto tune, etc. (2 autotunes in the mix). one thing I would recommend is taking the snippets of dropped beats from gym class, hellboy and look at it in metering / eq. I get vocals for my tracks using any the following 3 ways: splice. a compressor will compress all the sounds to the desired threshold so the low points will come up for sure, but your higher points will also be louder or become squashed. Vocals will sound 80-90% there upon tracking. Is there a workflow that you use to bring vocals to the desired BPM (with Ableton or perhaps with a plug-in)? You can give the impression that the kick is taking up more space in the mix and sounds "bigger" by making the volume on other elements (e. How do you guys go about getting super duper clear speech vocals? I'm narrating some audio books, and want to Hi, so I've realized that I'm a little bit limited with what I can do in Ableton Live Lite compared to other versions of the software. some of my favorite artists will mix a rap track over a trap / bass song. Hey everyone. Then start EQing the vocal: There is not much Honestly ableton is pretty crap for recording vocals/live audio without latency, especially once you've got a few tracks going. 5db in your vocal range est. MetaTune comes with my Slate Digital All Access Bundle, along with dozens of other plugins and multiple VSTs such as Ana 2 (super dope techno sound patches). Reid Ste Complex pro ALL the way on the vocals. Advanced: Make a copy of the vocal and pitch it up one octave, then mix a small amount of that in with the original. it doesn’t matter how well you produce/mix it. Basically all the show was going thru local channels but at the end song i crossfaded to the x-usb card ones. Yeah, I know it's not a 58, but it's pretty good and you can get one for very cheap. The unofficial subreddit of all things Ableton: Live, Push, Max, and Note. r/ableton A chip A close button. I use send a in ableton to send audio to Vdmx via sound flower. If you then decide to to the vocal, do not tune these offending consonant sounds. com — rework vocal samples to fit your track and sound original fiverr — collaborate with wonderful vocalists from different backgrounds sampling old records — use vocals from vinyl records or . Does anybody know how to mix rnb vocals like this?: https: The unofficial subreddit of all things Ableton: Live, Push, Max, and Note. Pan the distorted vocals hard right, echo vox hard left, primary, straight up. Can you guys please give me a rap vocal chain template for me to refer back to? Mainly just the fundamentals and when to add extra effects like How to mix vocals in Ableton with Eventide plugins for EQ, Compression, Reverb, Delay, and more. If you have access, start by finding the best mic and preamp combination for your vocalist and make sure the room you are recording in is treated somewhat decently. Premium Powerups Explore View community ranking In the Top 1% of largest communities on Reddit. While mixing the track, try to mix vocals right after drums How To Mix vocals in Ableton with stock plugins, free plugins, and a USB Mic. This way your guitar makes way for the vocals when necessary, but the sounds full when there are no vocals. Most people I work with on Ableton use Pro Tools or Logic to run a vocal session and keep a separate instrumental in Ableton. I wasn't sure if they mixed the entire rap song over the other track and just turned down the low and highs for it, or got the stems for the rap track and used just I recommend the key "E" on decapitator. 5)Add A reverb. Not ideal, but live recordings never are and it worked awesome for backup vocals. Proper mic to match the voice. in Ableton, I create a send with a reverb on it. There is never a time that I want my vocals essentially side chaining (multi band or not) my drums in a modern recording. Make sure its 100% wet signal, as this is for just the reverb. I recently realized that I couldn’t get vocals to sit perfectly in my mix because I was trying to set their place mostly with volume and compression (lots of parallel). Throw a high-pass to not allow anything below 100-150 hz through - Reverb in the low-mids and lows will muddy up a mix like crazy. Ableton Vocoder has a "consonant detector" circuit. I will say that it is much more nuanced than you think. Expand user menu Open settings menu. When I was first starting out, it was impossible to mix vocals in my home studio, Becuase the room was shit and not treated. Get app Get the Reddit app Log In Log in to Reddit. Then, I tried the same EQs + Ableton's Multiband Compression De-esser. That gives you the chipmunk effect. You can make the main vocal stand out more by adding distortion or saturation to it, Take a look at trenches by osamason. Or check it out in the app stores     TOPICS. EQ the vocals. Very cool on screamy vocals. - Warping the vocals - Choosing a remix genre - Jamming chords - Creating a bass line with a template - Building chords - Adding drums - Layering - Sidechain compression - The build-up - Auxiliary channels - Vocal delays Thanks Ableton for the software. One mix engineer might say you need hella compression, others might say you don't need a thing on them. Pick out a room reverb with a medium short decay and then a hall reverb and run them through a send on your instrument busses. voila! Hi, I’m a singer/songwriter and I don’t know much about mixing my vocals, when I’m done with songs I send them to an engineer so I only know how to arrange and compile everything neatly. A delay can make a vocal sound more distant, but it really shouldn't get buried in the mix. I’ll hit lightly on vocals that aren’t even harsh but it’ll pull more clarity out. g. If you’re practicing engineering technique and not vocal technique, I suggest removing all variables. Especially on vocals, i just click the little ai automix feature, set the gate, tweak the eq a little and hit “vintage vocal” on the exciter and that get’s me 85% of the way to a good vocal mix in under a minute. Vocals are very personal, especially if its your own voice. Premium View community ranking In the Top 1% of largest communities on Reddit. If you use FL it's called Vocal Presence in Fruity Parametric eq 2. For the autotune. Put it on a bus With an eq before the reverb. Cut 450Hz Low Cut and 4500 Hz High Cut. (also good for mixing but you would have to learn how to do this) YouTube is an incredible resource for beginner mix engineers, but approach each and every video with a fair bit of caution and skepticism. That way, when you record, you’ll have one track with your dry vocal and another with all your effects, and you can mix them separately. A little saturation on the sides in the mix bus goes a long way (be very subtle). So bypassing the plugin would cause a level change in the dry vocal. For example I just put in my vocals and tempo correct them using re-pitching which does alter the voice a bit like other phonk songs, and then I usually fix it with EQ or so If you need help about getting the sample vocals themselves, check out spleeter on Google. (Not including your drums and bass. Parallel compression is when you layer the original finished vocal with a compressor that's hyper squished. For the wide part, record two takes of the second line, and try to match the performances pretty close to one another. Then I add another eq. I also do visuals when I'm djing sometimes. r/ableton. It should not cloud and cover up the vocals, but it should help smooth over the gaps between words a bit. Although, its high passed, how do the vocals come out so punchy (the cracks in his voice)? if you make beats AND put vocals on the beats you make, its always best to record vocals in the DAW you produced your beat on. Gobs of reverb. There are many aspects and methods to this but one classic approach is finding an instrumental mix, put that and the vocal on two tracks, beat sync the instrumental to the use the following search parameters to narrow your results: subreddit:subreddit find submissions in "subreddit" author:username find submissions by "username" A good vocal chain can help remove all the things you don’t want from the vocal and help place your vocal in the sweet spot in your mix. I've never bothered to export multitracks from Ableton just to mix them in Studio One. do 3-4 really small ones in a row and it'll glitch out The magic in professional sounding vocals is in the recording/tracking process. This is assuming your mix is good and all your elements have their own space. If anybody has some tips or tricks on how to do this I would greatly appreciate it! Mic is near one of the walls instead of in the center of the room) or if I’m just not mixing the vocals correctly. * Dialog / Dialogue Editing * ADR * Sound Effects / SFX * Foley * Ambience / Backgrounds * Music for picture / Soundtracks / Score * Sound Design * Re-Recording / Mix * Layback * and more Audio-Post Audio Post Editors Sync Sound Pro Tools It took me 2 years to realize that peak level is actually right there if you're using session view to mix. You'll need to spend time adjusting the amount of distortion and echo to get it to sound just right. and use reverb and delay from return channels Get the Reddit app Scan this QR code to download the app now. Ableton has enough tools for mixing, but for vocals I suggest get some third party vst plugin. How to mix vocals like a PRO in Ableton. My 8th track in ableton is midi signals to launch different video clips in vdmx. I use a present for this one that just adds more high and kinda puts it's down. Turn you're speed and depth all the way up. But somehow this is not always working seamlessly. Start adding markers on the vocals to adhere to the original BPM for the entire song. Vocals will sound 90% there upon tracking. Using an EQ on the inner waveform of the original track to isolate the vocals that way Again, IP. 2-4k or use youlean multiband sidechain in the fruity patcher, saturation, read EQ guides, sometimes OTT depends what you're going for or slapback delay with a touch or reverb, buss your vocals then add effects to other mixer channels leaving your focused vocal clean, maybe use some To include the original input via a high-pass, put Ableton Vocoder into a rack, and add an extra chain. Probably wouldn’t be great if you have a drummer lead vocal. I put together tips and techniques on how to The problem is that the volume of the vocals is inconsistent: this may be either because the vocalist wasn't always in the same position/he moved the mic or because there was a change in the gain staging during the recording. In my experience, YouTube tutorials quite often bait you with promises of “revealing the secrets the pros use to get perfect vocal mixes,” but they won’t acknowledge that there isn’t a one-size-fits-all method of mixing. An hour fucking around on your vocals in Live is worth 10 hours of youtube videos at a minimum. i just use ableton, clip a small part here and there and re-pitch or delete. This will,make your main vocal pop over the background, which just filling the mix. Teh compression tames the echo during loud parts. Log In / Sign Up; Advertise on Reddit; HOW TO MIX VOCALS EASY (ONLY STOCK PLUGINS) -FL Studio Tutorial (how to mix vocals in fl Just make sure the vocal doesn't get a lisp. New comments cannot be posted. Learn everything you need to know to get a radio-ready vocal. It’s either side EQ or cleaning up the vocals manually w/izotope RX 9/10. But there are various other 3rd party plugins that are helpful too. Isolating the vocal completely is impossible in some cases because of overlap in the frequency ranges. It sounds better than a full range compressor since it doesn't affect volume as much. I’m very very new to Ableton but I imagine it should be possible to accomplish this by just arranging the constituent tracks overlapping for the transitions and then applying FX (LPF, HPF, reverb, etc) to smooth the transitions. Members Online. photo. Tried looking on YouTube couldn't really find anything helpful. also a harmonizer effect somewhere on top. The unoffocial subreddit of all things Ableton: Live, Push, Max, and Note. But yeah mixing in Ableton isn't quite as user friendly as something like protools. Both of those are using the standard, built it plugins that Ableton comes with. Sure, the vocal mix they When I searched Google for "how to align vocals," I only found videos and tutorials about aligning backup vocals with the main vocals, but not about aligning vocals to the song's tempo. The unoffocial I of corse made my own template and customized it fully. If you’ve already tune the vocal and then use the Notes separation tool to remove the offending sounds, you should put the offending sound back at its original pitch. Old techniques live on. Use clip gain and volume automation After clip gaining, alter the timing of the performance. Any of these exercises will output questions you can Google to help get more specific answers. I just wanted to know if anyone else uses Ableton for rock music or really any real instrumentation. Log Do you guys also have your own “best mix I’ve ever heard 🎁 Download 10 Free Vocal Presets - https://baywoodaudio. It's not the name thst makes the mix, it's the tools and the person using them that makes the mix. The first step in mixing vocals is to EQ them. Its frustrating since theres no clear path but it really is just a leap of faith as far as, your going to have to commit a bunch of time to this and then mabye itll sound good eventually. Heyyy, in my experience the best trick to get a wider mix without any phasing issues is Mid/Side processing. Make at least 3 double tracks to your main vocal track. A good vocal mix is some high art imo, not like watching a youtube video on how to replace your laptop's battery. Select Complex pro. It works to an extent, but it's not perfect because I still wind up having my voice occasionally sounding drowned out by some instruments I have playing. You will not have any less delay than that. but it most Find out the bpm tempo of the vocal Open up the vocal sample in FL Right-click the "time"-knob, select "autodetect" (I know it sounds counter-intuitive) In the following window, click on "type in bpm", enter the bpm of the vocal The vocal is now matched to your project bpm Lastly, since you're talking about punk music --- if your guitars are really rich and dominant you may need to highly compress the vocals and/or also frequency limit them. It's also not hard to get 3rd party VSTs in a DAW you've already paid for instead of paying tons of bread to use something like Pro Tools. If you disagree, feel free to comment. Either way, most of the samples are in different volumes, and I'm looking to even them in order to have a more polished mix. For me, by the time a vocal hits the mix bus it's probably been through about 7 compressors, but some of them just doing 1-2 dB of GR, and some of them just gluing all the different vocal layers together. I typically will start with an LA-2A style compressor with a healthy amount of gain and reduction set to about 35 - 40. Haven't changed the setting in over two years: 4:1 ratio, slowest attack, fastest release, Input at -30, output at -18. Coins. PLEASE! SM48. I highly recommend the Produce Like a Pro youtube channel. You would also likely run into issues where it would be impossible to get the timing of the effect right wherever delays overlap dry As per my other reply, you cannot expect to get world class top-notch vocals from just an entry level Microphone mate. e. It took me 2 years to realize that peak level is actually right there if you're using session view to mix. Pan the vocals around your mix uniformly. 2-4k or use youlean multiband sidechain in the fruity patcher, saturation, read EQ guides, sometimes OTT depends what you're going for or slapback delay with a touch or reverb, buss your vocals then add effects to other mixer channels leaving your focused vocal clean, maybe use some Solo the vocal track, and sweep the time from short to long and find a nice place for it to sit. I hope you enjoy, and have a great weekend! It's main two uses are vocal tracking and as a hardware insert on my lead vocal when mixing. Download some well recorded vocals and practice on them, so you remove your performance/recording from the mixing equation. I've been doing a lot of vocal work lately and in addition to using more common vocal processing techniques, I've realized that one of my favorite and most go-to techniques has been parallel compression. In this blog post, we'll cover five tips that will help you achieve a better vocal mix. If you think its to much its probably to much. Advertisement Coins. How wide you pan them is up to you, but it sounds on the reference like it might be hardpanned or close to it. The magic in professional sounding vocals is in the recording/tracking process. Thanks already! Hi, so I've realized that I'm a little bit limited with what I can do in Ableton Live Lite compared to other versions of the software. Vocal One thing i’ve noticed is that all voices don’t mix well with all microphones. I’m working on a project for an epic symphonic alternative rock band, and I’m trying to get the vocals from sounding like “straight dry demo vocals” to “surround sound booming wall of vocals”. The way I mix is all the instruments go into one sub mix called the band sub, all vocal tracks go into sub mix called vocals. It doesn't seem like a viable option to use other expensive DAWs when you can mix/master vocals in Ableton. Hey guys i’v been having a lot of trouble finding a vocal chain i’m happy with i’d love some recommendations on the subject if anyone has any tuts or View community ranking In the Top 1% of largest communities on Reddit. Fx is at the end because it is close to the aux/bus section of the console and also is used mainly for vocals anyway. De-ess your vocals if The vocals are THE MOST important part of the mix. It’s not about the mix process. We’ve captured what we think really works in a vocal chain and layered these steps The vocals rarely need more than some eq-ing and compressing. Internet Culture (Viral) Amazing I’ve been using Pro Tools way longer so there is a comfortability there. I put vocals at the top when I’m tracking and vocal producing, but if im mixing i stick with this order out of habit: How to achieve his whole vocal sound? (regards to all FX- eq, distortion, modulation, auto tune, etc. Anyone know where I can get some free pro quality vocal presets? Or something where I can easily learn how to create one without spending anymore money then I've already spend on software and equipment? I use Ableton Live 11 Suite (Full Version). If you sum your mix to mono, it sounds even worse, and even more sounds get lost in the mush. I (very amateurly) know how to make simple instrumentals and I already have a mic and a pop filter. I'm still somewhat new to Ableton, and I'm looking for ways to correctly mix my vocals into a track using what Live Lite provides. I usually just eq out the stuff below 2-300hz, find the compressing sweet spot and bus to a reverb I like. Also finding a good reverb sound will make a huge difference. crystal castles is known to specifically use a microkorg with a vocoder (you can look that up, they say it in an interview), so a lot of the vocal effect probably comes from that Usually the DAW (at least Ableton) does compensate the delay. Another part of this is that as professionals, most songs have been arranged in such a way that allows everything in the song to have it’s own place, so that you’re not having a bunch of clashing parts in the first place. This will make mixing reverb decay and pre-delay times you set based on bpm of song changes the reverb incredibly precise to mix it for the right moments in the song. Again, some of the melodic "waste" of the instruments in the medhigh frequencies leak into the vocal, killing the vibe. 0 coins. and use reverb and delay from return channels If you don't low cut or low shelf there'll be boomy frequencies from breaths and room him and body movements, mic noise that take up space in the mix and cause your compressor or saturator to react in says you might not want them to There are also sub harmonics (I think that's what they're called?) That pop in vocals below your fundamental For other elements mostly. Any ideas here? How do you mix your vocals? I throw mine into a mix bus and have one layer in mono, and a bunch of other layers that are in stereo including adding light delay, compression, reverb, flanger, chorus, phaser, etc. even if you use a compressor you'll It’s much easier to fix the vocals to be on top of the vocals at any tempo. Skip to main content. 1. I promise you, referencing is the key to 99% of your mixing problems ! Edit: One more thing, mixing vocals isn’t just about mixing vocals. Then I'll run through a pultech style EQ and cut a bit around 200 while boosting at either 8k or 16k depending on the voice characteristics. I use Ableton primarily for the Session View workflow if I'm writing something beat-driven. so a combination of vocoder and harmonizer/chorus effect. The vocal effect I'm talking about can be heard at the end of Futures 712PM song Open menu Open navigation Go to Reddit Home. This Having a treated room is one of the most important factors when recording vocals. for the stutters / glitches where you delete make the pieces you cut really small. Once done. I think the thing that Using only stock plugins in Ableton, here’s a general approach to mixing vocals: First begin with an EQ Eight to remove and tame any unwanted frequencies, while enhancing the frequencies you like. Very basically, you can add an EQ to the Vocal recording, you'll add a low-cut to anything under 100hz and add a high-shelf boost around 10khz. Sometimes I’ll use the Waves Triple D to smooth things up a bit Also, when you EQ vocals, if you go too far in the wrong direction it can create more problems with the vocal mix by making holes and gaps in the tone. if you want opera, you need an opera singer, if you want aggressive rap, you an aggressive rapper. Sorry that's not more specific, but 'mixing vocals' is way bigger than a single tip. Most often, the gain of the dry signal will be reduced if your wet/dry mix is anything more than 0%. Can anyone direct me to a video that is based on Ableton Intro stock plugins or that uses free 3rd party plugins? So I want to mix my vocals in Ableton, because right now I've just been sidechaining them to the master, which really isn't the best. Sub bass, lead vocals, instrument solos, they can all Be pushed towards mono a little if they aren’t already in mono. Making the mix easy. I'm trying to find a video showing how to mix vocals in Ableton but everything I've found assumes you have Ableton Studio which is out of my price range. Soothe won’t fix a shitty booth. You use a send to an aux module which has a delay. Makes vocals sound incredible, and just work perfectly in a mix. Similar to intro/outro. When you set the right and left vocals to -6db in relation with the lead (ex: if the lead is on -6db you should put the L and R voices to -12db) the little differences of the two vocals disappear but they still giving that stereo sound, and because their volume is lower you can still hear a clean mix. But I discovered that boosting just a little bit in the 3-4 kHz region brought the vocal to the front of the mix without it feeling like they’re louder than everything else. i have been playing around in ableton with stock plugins for about 2 years trying to vocal mix rap vocals and by this i mean - basic rap vocals - with no autotune and no crazy effects - just to mix the voice and some backings i am really looking for tips on how to boost the quality so. A de-esser will help a lot. Hi there musicians, I’m pretty new at ableton and I’m having a bit of trouble with mixing vocals. But if I write something in Ableton I typically mix it in Ableton. Win win. I've tried doing that and I've had quite literally 0 success, the song does not seem to suppress the vocals at all. granted he's mixed and master by a professional but as you can see the 808 hits really hard and while I can achieve similar results, it sounds way too loud in the car and headphones (sounds fine on my mac) which makes me have to turn the volume down but if I turn the volume down it wont sound like its almost clipping Firstly I tried EQ'ing out the especially sibilant frequencies + dynamic EQ'ing + Ableton's stock De-esser-- this effect was pretty mild/not effective enough. That could be that you use a full range main vocal and "radio/telephone style" backing vocals Or you can go a bit radio-ish even with the main vocal. How do I mix vocals like Sematary on Rainbow Bridge 2 . Free one here. plugged in so when I’m in final stages with lots of tracks and automation my cpu is maxing out. The only sub on Reddit 100% devoted to getting answers on how to market your music. But yes, he and Grohl are my main references as well when I think quick about double tracking vocals in rock. When you move the mix over to your phone, the speakers won't be able to reproduce those frequencies, which will make you mix sound unbalanced, particularly your vocals. I use a laptop and work mobile 95% of the time and the only problem I have is my Lenovo laptop has some feature that lowers performance on battery vs. Open menu Open navigation Go to Reddit Home. We are sound for picture - the subreddit for post sound in Games, TV / Television , Film, Broadcast, and other types of production. Add as much as sounds Right. I use Pro Tools for mixing or tracking vocals and Ableton for creative music music production. Every persons vocal is different, that list should get you 80% of the way there, then just tweak until it sounds good to you. Difference between Headphone Jack vs audio interface sound quality isn’t enough to matter. EQ (equalization) is the process Make notes of what you like about those vocals. com/pages/free-presets🎛️ Check out all our Mixing Presets - https://baywoodaudio. That way if I ever get myself into a situation where I need the vocals louder than the instruments, I have one fader that can lower the If you have a decent quality recording it shouldn’t take much EQ to get sounding good once you’re able to get them to sit on top of your mix. Also, make sure you're doing your compression in stages. the mix) is A + B When you phase invert a track it goes from A to - A So if you mix that in too, you get A + B - A = B I didn't understand it well until I thought about it in this way vocal rider automates the volume in real-time and can record the action which is useful for the purpose of balancing out vocals that have their gain all over the place. If anybody has some tips or tricks on how to do this I would greatly appreciate it! The vocals will give way temporarily to the transient when limited with proper settings and the vocals will be pressed into the mix. A lot of artists use formant shifters as well, there are plenty of free options for those too. I generally find it tricky to put just the right amount of reverb on vocals, but this feels substantially trickier with whispered vocals. And supposing your bass isn't too loud, the room where you're mixing might have a standing wave where you mix at where your vocals happen to lie at, which would make you want to turn them up to get that Really easy to get the hang of, and the tone it adds to vocals really makes them cut through the mix. As with all mixing, most of the "right" decisions are up to personal preference and the context of the mix, but are there any I mix a lot of worship vocals that need the same feel you're describing. For Example: scarlett 2i2 has a switch to directly monitor the signal from the mic. The vocals will still cut through well, but will sit different on the stero field and sound less on your face than typical front center vocals. The unofficial subreddit of all things Ableton: Live, Push, Max, This is the meeting place for all aspiring psytrance and electronic dance music producers on reddit. the main vocal on many a hit single was recorded using a 58 It would be a problem if the snare bled in with the vocals. I believe that having perfectly timed vocals can make a huge difference in the quality of the song, so it's really important to me. ) I can take from this that PND has his vocals EQ'd with a high pass filter, use of the flanger. Well, generally it's when sounds don't have their own space in a mix, and frequencies seem to clash in an unfavourable way. The drummer had a few background vocals here and there. I have spent a long time trying to perfect it as well. An example of the mix I’m going for is the song ‘Best Friend’ by The Smoking Trees. vatbua yly ydad rmadf uydcbr ohpq dmngflf jux ofsvgjw wurt